Literary criticism endeavours to establish the literary genres types or categories of the various biblical documents and to reach conclusions about their structure, date, and authorship. These conclusions are based as far as possible on internal evidence, but external evidence is also very… Functions The functions of literary criticism vary widely, ranging from the reviewing of books as they are published to systematic theoretical discussion.
Library Home South African Literary Criticism The compiled list of literary criticism reflects on the course of current literary production by a new generation of South African writers. Historically, the breadth of South Africa fiction has gone hand in hand with the tumultuous social conditions within the country.
South Africa has a tremendous literary tradition championing human rights and the end of the Apartheid system. As South Africa transitions from Apartheid to Democracy writers explore both old and new themes that resonate with a changing society.
This compilation focuses on the literary criticisms that connect these two periods and illuminates on the growth and evolution of South African literature as it is viewed today.
Annotated bibliography Attridge, D. Literature, Apartheid, and Democracy The edited volume by South African born English literature scholars Derek Attridge and Rosemary Jolly brings together a collection of fourteen essays by notable South African writers and literary scholars.
The volume focuses on the scope and development of South African literature from to This time period covers the last two and a half decades of Apartheid in South Africa and can be characterized as a time of transition to democratic rule.
The collected essays address contemporary topics such as identity politics, social power relations, as well as issues of race and gender in a transformative time period.
The editors have also included a chronology of events, historical maps, an extensive index, and a selected bibliography of South African literature between and The interview transcripts and position papers make the volume a bit disjointed however on the whole all the essays are of high quality and can stand on their own.
The quite extensive and ambitious edited volume from Cambridge Press is led by two distinguished professors of English literature, David Attwell and Derek Attridge. The page book comprise of thirty-nine essays by forty-three mostly South African academics and authors.
The volume provides a comprehensive picture of South African literature from its beginnings to the present. Sections of particular interest are part five and part six of the volume.
Part five focus on, Apartheid and its Aftermath, to the Present. This section provides fourteen thought provoking essays on short fiction, writing in exile, to writing about the demise of apartheid.
And, part six focus on, South African literature: Part six serves as an excellent concluding and unifying collection of essays. Even though I am highlighting the last two chapters in this excellent collection of essays the entire book is worth a read. Each section starts off with a brief cohesive introduction, every essay includes a selected bibliography, and the book provides a very useful index that encapsulates the thirty-nine essays.
In his book, David Attwell conducts a historical survey of black South African literature. This survey is not exhaustive by any means in fact he uses only a select number of authors and texts to critically analyze.
He moves away from a one dimensional analysis of Black South African literature as simply being protest literature and a political response to colonialism and brings a level of theoretical nuance to his study by positing a body of literature that transcends the notion of realism.
Attwell explores the literary genres of fiction, non-fiction, and poetry. Not including the introduction, there are six chapters to his analysis. And, within those six chapters Attwell explores five different historical periods; the middle of the nineteenth century, the first half of the twentieth century, the early second half of the twentieth century, the late twentieth century, and the post-apartheid of the twenty first century.
The book also includes author notes, a selected bibliography, and an index. He has several books and scholarly articles to his credit. One immediate observation is that the author did not include any black women writers in his analysis.
This book is a great addition to the field of study as it offers one of the very few dedicated explorations of the black South African literary tradition. South African Fiction after Apartheid.An Afternoon with Literary Agent, Lindsay Edgecombe The Distinguished Columbian Guest Speaker Program.
of the Columbia Fiction Foundry. Rostan Literary Agency. Lindsay, ’04 Barnard, was Phi Beta Kappa, Summa cum Laude, and edited The Columbia Review. Lindsay represents journalists, scientists, internationally bestselling novelists.
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Dan Piepenbring is the web editor of The Paris Review. He was a Oregon Literary Arts Fellowship recipient and a member of the Oregon Book Awards & Fellowships Advisory Council. Emily Chenoweth is the featured reader for October.
Emily teaches Writing A Novel in 8 Weeks for Literary Arts. This introductory volume on southern African literature is an ambitious exercise in literary history and criticism by noted South African Professor Michael Chapman.
In all, this book is an important contribution and critical guide to contemporary South African literary criticism. Helgesson, S. (). A Review of International English. In Leigh Himes’ The One That Got Away, Abbey Lahey is an overworked, overwhelmed mother of ph-vs.com and her husband, Jimmy, are at each other’s throats and barely making ends meet.
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